Thinking over this more, this is one of Jonathan's best levels because of how much more hostile it feels in comparison to his other work. While Jonathan is known for making levels on the harder side, I think they often lack some amount of personality and abrasiveness that burns something in your memory (excluding his infamous endings) so it's refreshing to see a product that feels much more rough around the edges compared to, say, Future Funk - the bullshit is interspersed throughout the level a lot more instead of being contained to one singular part. I especially love the middle section with the sudden cuts to black; it fits the song really well as well as being all up in your face about it, with a silly cube flying around. Not every part is as strong as that one but I wouldn't write off the earlier parts, as I think they are also really good at setting the tone of this level.