Not a bad follow up in any way to Stereo Madness. A neat introduction to jump pads, too! One may consider this easier than Stereo Madness and would prefer this as the starter level, but I disagree for two main reasons. To start, I don’t think jump pads should be in the first level (the simpler reason out of the two) and my other is that this is simply far more complex than Stereo Madness. A new player would just horribly to the ship in this level. Everything past the ship I believe would throw off a new player quite a bit. As for the relevance of this level (besides that joke) it doesn’t really provide much compared to the earlier levels, though I wouldn’t call it outright forgettable. Base After Base exists for that, I’ve come to notice.

Of the original 7, it's always been Back on Track that's the least memorable to me. That can be partly attributed to being flanked on either side by some of the most iconic and well-constructed levels in the game's history, but it's mostly the fault of the level failing to make the most of the song's most distinct and important moments - the whole level just feels kind of indifferent to its own difficulty and scale, and the introduction of jump pads was never particularly impressive itself. There's still some interesting weight to the ship and ending cube, at least.