Perhaps ozpectro has a background in painting or collage, because effot feels like it was created by someone who understood the sensibilities of design (and the capabilities of the GD editor, of course) but also had no idea what the hell they were doing. While fexty perfected ozpectro's design balance in terms of instant visual appeal, it simply lacks the overwhelming mystique of this level, so structurally and tactilely forward-thinking or backwards-thought that it feels alien. It's strange, then, how disturbingly clinical effot is at tapping into the universal, primordial rage-game instincts of the GD player. It's that ephemeral fury that makes effot so alluring - especially when it disappears right in front of your eyes, and you remember that no one ever made another one. Fuck. Ten years on and no one's made anything like this, ever.

Starts off weak, but becomes very active, engaging, and alive at the rising background tone, all the way to the end. I also like the use of negative space at the slow wave spam