Rating Curve

The visual representation of a computer screaming in pain while you rip out its innards. Visibly tries to maintain its composure but fails miserably. Goes without saying but this has amazing song rep

Chaotic Machine is a good level, but Killbot completely blows it out of the water. One of the most inventive levels of its time and uses memory gameplay to great effect

dragnalus' completion description sums up what I have to say pretty nicely

really wish i polished the second half of this more, if not i would easily like this more than elatedblossomltd. the entire first half of this is still my favourite thing i’ve ever made to this day

Truly appreciate synthi for giving me a better appreciation of the game as an art form and eventually shaping my view on art as a whole. He's around the same age as me which is wild to think about (i.e. child gives younger child a lesson on why fiji by nasgubb is peak)

man man but with actual limits. Not saying much since this level is still pretty vile but it is far more cartoony and less realistically gory. The vulgar text in that one part also detracts from the quality noticeably.

Note: Please do not attach a video to this level LOL

man man by 2003devin crosses more boundaries in this game than any other level has, or ever will; and the end result is not a pretty sight, very mildly speaking. I don't think I need to elaborate further on this; the warning at the beginning already tells you enough about this level. Absolutely disgusting

Whitehouse is certainly the most conservative of devin's three most recent levels that lean into surrealism (other two being devin2003 and world war), not really straying too far from his previous works although there is definitely much more obscenity present in this level compared to his prior works. Whitehouse also is one of, if not devin's most incoherent levels. Unlike his previous levels like scissors, which makes liberal use of duals, or old rust don't dry, which highlights man's impact on nature, whitehouse is just an amalgamation of all of devin's ideas with not much really connecting them together. Ironically, whitehouse's incoherency is what differentiates itself from devin's other levels; in hindsight it feels like an intermediate between his more strongly themed works, and his further experimentation with graphic surrealism in his levels. While I do appreciate Whitehouse's artistic direction, this incoherence makes it feel like a stepping stone for something greater rather than a truly fleshed out masterpiece. Still, though, whitehouse is still a 2003devin project at heart, containing all of the fluff that pervades his entire body of work, and it still certainly has a lot of substance to chew on.

Genuinely timeless.